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Journalism

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How it began

For the most part, journalism is ephemera. As a very young man I got my first break when I wrote on spec a review of Mike Oldfield's stunning 1980 Sydney concert, and sent it to RAM magazine. I had no expectations but a week or two later I received a letter from the editor saying that a review had already been commissioned for the concert, but if I'd like to write for the publication I should contact him. So I did. Flash forward through many years of freelancing for music and community magazines and small publications to a phone call from the technology editor of The Australian in 2002. I'd been writing freelance gadget reviews and the editor, a very charming man named Ian Grayson, asked me if I'd like to come in. I thought he meant for lunch. 'No', he said. 'We're starting up a lifestyle technology section and we'd really like you to be part of it.' For the first week or two I had to keep pinching myself. I'd spent 20 years as a psychiatric nurse and now here I was in my first full time job in journalism. I felt exactly like Meg Ryan in Working Girl. Stints followed as television editor and then on the arts desk where it was another round of pinching myself daily as I got to interview the likes of Viggo Mortensen, K.D. Lang (who beseeched me to give her capital letters), Liza Minnelli, and an entire list of other dream dates, as well as a passing parade of interesting arts types of lesser repute. I quit the Oz in 2013, and went on to write some of my best work as a freelancer for titles such as the Sydney Morning Herald and SBS Online. I'm not going to place here any of the countless TV stories including thousands of Quick Bite TV reviews and many longer pieces, the hundreds of CD reviews written for the much admired and much missed music editor Iain Shedden, or all the rest of the daily news that should be allowed to slide gracefully into oblivion with the rest of the past. So here are just a few of my favourite things

A few good pieces
Hugo's Chain
Gold Chain Bracelet

First published here in the SMH on June 15, 2019 under the title Snap! Photos, letters, a gold chain - the past comes flooding back  

THERE’S a box on a shelf at the back of my wardrobe that I rummage through once or twice a decade. In it are photographs, letters, pale blue aerogrammes, a few items of jewellery and the odd declaration of love. Somehow the contents of this box help me remember who I am, triangulating the position of my soul in the present with glimpses of the man I used to be. Most of the photographs are from the mid-1980s -- almost another world -- a place where you waited in line at the pharmacy to hand over film cartridges, then popped back days later to pick up very much hit and miss prints. Not for us at that time the ubiquitous phones that document everything we see and feel today. No social media, no computers even, a time when what are now called “hard copies” were the full extent of it. And in these hard copies, some mailed to me years after the fact, I am slim, with voluminous chestnut hair and a boyish, self-conscious grin. And there are the casts of days gone by, the bit players with names long forgotten, and the stars, the great loves of my life reduced to frozen moments in not very good portraits. The letters and aerogrammes chart long distance romances and also the course of fast friendships mostly made and lost on overseas holidays, with a few missives trailing on before the correspondence inevitably runs out of puff. “Why have you stopped writing?’’ asks American divorcee Janine in the last of a series from her. We met on the Greek island of Naxos, and spent a series of days hiking and swimming then sharing stories from our lives in the evenings in cheerful tavernas: her marriage breakdown, my relationships with men, books we loved, music, films, art. Janine introduced me to the wistful Greek poet Cavafy, who retrospectively helped me understand someone I met at the beginning of my Greek adventure. Some kind of caul lifts on a young person’s first substantial trip alone. Freedom from the prison of work and all previous attachment dawns and it makes you attractive, light and carefree. And so, as one of the appalling ferry boats that transfer people from the mainland port of Piraeus chugged its way to Naxos, I caroused and danced and laughed and sang with a bunch of similarly freed young strangers. Unnoticed by me, Hugo had been watching. When the high spirits eventually subsided he made his approach. “I would like you to have this,” he said. In his proffered hand was a man’s gold neck chain, the kind he wore himself, the kind many hirsute Greeks wear to highlight the chest thatch. “I couldn’t possibly accept that,” I said, soberly. He looked crestfallen, almost tearful. “It would make me very happy if you would,” he said. “But why?” “You remind me of someone,” Hugo said. “I’ve been watching you all evening. Like him, you seem so happy, so alive.” “But I don’t even know your name.” “I’m Hugo,” he said. And with that he pressed the gold chain into my hand and walked away. Later in my cabin I looked at the necklace trying to weigh up what it meant to him for me to have it and the fact that I didn’t in any way deserve to have it. Hugo was a little unkempt. He certainly didn’t look like a man of means. I decided I had to give it back. I prowled the deck and came across him smoking, staring out to sea. “Who was he?” I asked. “I can’t…” he began. Then he composed himself. “There’s a huge structure near the port in Naxos,” he said. “The Portara Apollo temple. Meet me there at 3pm tomorrow.” Resolved, I slept well that night in my cabin. After disembarking next morning, I found accommodation, got myself unpacked and settled in, lunched in solitude and in the afternoon headed off to meet Hugo. I waited. And waited. Was he remorseful? Did he wake up and think he had been foolish to give such a gift to a stranger? I thought I saw him a couple of times as stocky, hirsute Greeks walked towards the monument. Invariably they walked by. By four o’clock I realised I had merely been fobbed off. What did I expect to him to say? Why should he deliver an account of his most precious experiences to me? Had he reached the line I would reach later with Janine, the line that almost all friendships eventually come to, where it simply seems pointless to continue? Sitting on my bed all these years later I carefully put Janine’s last aerogramme and Hugo’s chain back in the cardboard box. I feel a little sad to have lost them both but also for today’s tech savvy young people. Sure they have the whole world in their pocket but unless they meticulously back up images and messages as phones perish, drives crash, and media transforms, what will they have to moon over 30 years from now?

The Kimberley
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First published here in the SMH in 2016 

Flying in a helicopter at 2000 feet above the Bungle Bungle Range in Purnululu National Park, I clutch the iron safety bar like a kid on a roller-coaster, glad of the sturdy safety belt that clamps me to my seat. The four-seater Robinson R44 has no doors, so I can feel the buffeting wind in my hair and take in the beauty and the real scale of the landscape below. From up here, you can see scores of the Bungle Bungle's impressive beehive-like mounds that, on the ground, seem as profound and impactful as the pyramids. At this altitude the statistics of the region come to vivid life. There are cattle properties in the Kimberley that are bigger than Belgium. The region is bigger than 75 per cent of the world's countries, three times the size of England and larger than the state of Victoria. With a resident population of about 35,000, it is a contender for the most sparsely populated place on Earth. The colours that from the air tend to blend into shades of red and rust seem more diversified on the ground. Those red ranges are skirted by spinifex plains dotted with hardy boab trees, deep gorges, spectacular waterfalls, unexpected sapphire pools, rivers and river banks teeming with wildlife and, curiously, pockets of rainforest cool in stunning hidden oases. And that's just in the dry season. In the wet season – November to March – the place is transformed. The round stone river beds and gorges that can be hiked along in the dry become raging torrents. Waterfalls, such as the iconic Mitchell Falls, become truly epic. For most visitors, the historic town of Broome is the gateway to the Kimberley. In spite of a resident population of just 15,000, Broome has a rich history dating back to the 1880s and the development of the pearling industry. It was a wild old frontier town back then. Today, with the stunning white sands of the 22-kilometre Cable Beach at the forefront, it's a well-looked-after tourist hub full of resorts and elegant housing. The APT Kimberley Wilderness Adventures trip begins in earnest at 6am when guide Trevor Boughton pulls into the Cable Beach Club Resort & Spa in a customised 22-seater four-wheel drive Mercedes Actros, known unofficially as Scarlet, in bright APT livery. The sturdy vehicle will be home to myself and nine fellow adventurers over the next nine days. Following introductions to strangers – a French couple, a German couple, two Aussie couples and another male single like myself – who will soon feel like family, we head out of Broome along the famous Gibb River Road. Luxuriously comfortable and tough as nails, Scarlet has panoramic windows that afford each of us mesmerising, ever-changing views of the Kimberley as it drifts by. She eats up sealed roads and copes just as well with the dirt, sand, old river beds, steep hills, dunes and corrugations she will be forced to traverse for much of the journey ahead. This is a long trip with a lot of country to cover, and between the twice-daily adventures some take refuge in naps, books and in sorting and editing photographs. But time and again I find myself mesmerised by the landscape. Every two to three years, fires come, generally started by lightning. This means that young, green trees dominate the spinifex plains, with older, blackened wood behind them. While some of the road runs alongside magnificent ranges, such as the Cockburn, it is often flat in all directions with low, green foliage and with a wide variety of trees. Here and there cattle graze. But at the astonishing rate of one cow per 400 hectares, it's unusual to see more than a handful of them together. Everywhere there are giant termite mounds in which queens dominate millions of workers for up to 50 years. The boab trees appear at this time of year with fruit but no leaves. They look bizarrely like denuded European Christmas trees brandishing ornaments. It's mind-boggling to realise that Aboriginal peoples have inhabited these lands for at least 60,000 years. In the fading light of evening as shadows play on the landscape, you can imagine an Aboriginal hunter, spear in hand, darting forward. We wade, we hike, we lunch and we stay for four nights in APT's wilderness lodges. I have reservations about being as close to the bush as a man in a tent but it's a fear I overcome. At home in Sydney, I suffer far more from the intrusion of insect pests than I do here. Waking from a deep sleep in the middle of pristine wilderness is a joy I'll carry with me forever. As the daily adventures grow steadily more exciting, the camaraderie with fellow travellers grows, too. Our dinners, either in wilderness lodges or hotel restaurants, become a real pleasure. Once or twice Boughton produces champagne for us to toast each other at a spectacular location. It's very bonding to be deeply affected by the beauty of the landscape together, to swim together, to hike and bathe together in cool pools and hot springs. I have been on guided tours before where I have been bored endlessly by inarticulate tour guides and poor programming. But I can honestly say I wasn't bored for a minute on this trip. It showed the awesomeness of my own country to me, helped me overcome some fears, bonded me to new friends and filled my heart with wonder daily.

My shots of the Kimberley
Treasure your life's soundtrack
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First published here in the SMH on June 15, 2018 

Original artwork for this piece by Simon Letch

I am sitting cross-legged on the living room rug with teetering towers of CDs all around me. I imagine the scene looks like a miniature version of the Surfers Paradise skyline with King Kong plonked in the middle. The time has come, you see, to reclaim the space currently occupied in the drawers of our typically enormous entertainment unit by hundreds of CDs. Mostly in bulky jewel cases, they date back to the inception of the format in 1982. I like to think I'm not sentimental. I had zero reluctance when it came to dumping cassettes, with their inevitable cascades of tape leakage that could only be painstakingly wound back with a pencil, and their complete inability to maintain pitch stability in hot cars. Out they went, and with them the distantly romantic notion of the "mixtape", now easily superseded by the digital playlist. Same with vinyl, in spite of what is optimistically termed the revival. Too big, too easily damaged. Sure, they sound far better than CDs but only if you treat them like control rods in a nuclear power station, polish them before and after you play them, and return them to their sleeves with meticulous care. I gave some away. The ones so scratched that they offered the tell-tale clicks, pops and explosions of white noise that sound just like someone frying an egg over the music, went to the dump. And now, the jig is all but up for CDs. Digital streaming services such as Spotify and Apple Music dish up almost any song or album title you can think of. Or simply speak into the magic ears of Siri, Google or Alexa, and your request will play instantly. When entire music libraries can be carried on phones, what is the point of a vast CD collection? Besides, like most urban dwellers we need the drawer space for the more recent accoutrements of the digital age: power cables and adaptors of every sort, chargers for phones and tablets, and, thanks to the tech giants' collective obsession with making things ever thinner, external CD drives, external hard drives and, quite soon, surely, external brains. Time for King Kong to dismantle the waterfront. But it's really not so easy. There's too much history in these drawers. For every 10 discs consigned to the garbage pile there's at least one that tugs at the heart. My fingers brush George Michael's 1996 smash Older and I'm at a score of dinner parties in the 1990s. The slinky evening-wear jazz sound of Michael's heartbreaking tribute to his lover, Anselmo Feleppa, somehow defined the era. I think of my guests, some no longer with us, the daft conversations, the ribald laughter. Then I'm at an open-air George Michael concert in 2010 with my older sister and 45,000 other besotted fans. Elizabeth and I hadn't been to a concert together, well, since forever. But there we were right down the front, screaming out our appreciation and dancing in the aisle like two teenagers. We wept down the phone together when Michael died so unexpectedly in 2016. Likewise, David Bowie. I cradle, for a moment, an artfully put together remaster of his 1974 William Burroughs-inspired sci-fi masterpiece Diamond Dogs and place it carefully in the keeper pile. I'm not a great fan of Michael Bublé but I had his utterly gorgeous version of Willie Nelson's Always On My Mind, from his 2007 album Call Me Irresponsible, played at my mother's funeral. Slowed down compared to hit versions by Elvis Presley and Willie Nelson, the song perfectly echoes the heart of a recalcitrant son, who could have done so much more, could have been there more often than he was. "Little things I should have said and done, I just never took the time," Buble croons. "But you were always on my mind." Right next to Bublé I find former Genesis guitarist Steve Hackett's 1983 album Bay of Kings. The album's reissue contains a stunning solo guitar interpretation of The Skye Boat Song. A proud Scot, who never lost her accent even after 45 years in Australia, Mum loved this song. The track was played at the funeral as images of her as a child and as a beautiful young woman before "we" happened to her were shown on the chapel's video screen. So, clean up, wise up and chuck the dross from your life. But don't kill your darlings. Life is too short to throw the truly beautiful things away.

Lake Como's less pretentious but equally beautiful sister
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First published here in the SMH on March 3, 2017 

I'm sitting at a white-cloth silver-service table on an outdoor jetty that stretches into Lake Garda, in Italy's north. It is early evening and the water is dark and quiet, supremely beautiful, with massive snowcapped mountains lurching up out of the depths directly across the lake. I'm staying at the Belfiore Park Hotel near the ancient town of Brenzone, about halfway up the lake's 52-kilometre length on the eastern side. Here, the water is narrow, more like a river than the vast expanse that makes the lake feel like an ocean in the south. An occasional family of swans paddles home as evening closes in, and perhaps the two friendliest waiters in Italy, Marcello and Alber, light candles and pour drinks before serving dinner to a half-dozen or so tables. Alber, the younger, has already introduced me to Aperol spritz, by now surely the Italian national drink. Marcello, his boss, doesn't raise an eyebrow when I opt for another one of those instead of wine. I feel welcome, absurdly at home, and deeply relaxed. On this trip I chose Garda over Lake Como following a few days in Milan. After the caffeine-fuelled pace of the city, the pretentiousness that seems to strut hand in hand with high fashion, and a couple of unusually difficult encounters with bar staff, the thought of more fashionistas going gaga for George (Clooney, who owns a Como lakeside villa) was too much to bear. I craved bucolic beauty, picturesque waters and a deep connection with nature. And I longed for the warmth and friendliness I'd encountered in Italy's south, in Tuscany and even in Rome. Because when it comes to the beautiful series of lakes in Italy's north, most people just want to talk about Como, and they generally rave about the possibility of bumping into Clooney, Madonna or Richard Branson. Truly, do people make travel choices on the likelihood of celebrity encounters? Do the stars really hang out where they can be beckoned and burdened by the hoi-polloi? Of course Lake Como is sublime – that's why the rich and famous flock there. But if you only have time for one lake stay in Italy's north, you really should consider Lake Garda. In terms of natural beauty, it is easily the equal of Como and it has an unparalleled sense of history stretching back to ancient times. No, you won't see the indulgent celebrity piles stretching down to the lake's edge, but you will see some of the most beautiful and historic little towns and villages in Italy. And you will save a significant fortune. So I exited Milan on a train headed for Brenzone and alighted, in accordance with the visitgarda.com website's recommendations, at Peschiera del Garda. There, the site assured me, I would find buses and taxis to take me wherever I needed to go. But there were no buses or taxis to be seen. And it was raining. One other traveller got off the train with me, a middle-aged Italian woman with far too much luggage. She punched numbers into her cellulare, then spoke in machine-gun-rapid Italian before moving her burden to shelter. She lit a cigarette and adopted the posture of a person resigned to waiting. A few minutes later a car appeared and she and her luggage were gone, leaving me to wonder what sort of giant mistake this might all have been. Then, out of the mist and rain, came the inevitable taxi. But the driver was reluctant, thinking the journey – 44 kilometres – too long. Perhaps my crestfallen face changed his mind. As is often the case with coastal roads the world over, the journey was full of tantalising glimpses of water which were then obscured by buildings or hills as we motored up the east coast. These glimpses were made even more elusive by light fog and drizzle. An hour later, just as the sun broke through, we arrived at the Belfiore Park, and a white-coated porter dashed out to help with the bags. I didn't know it then, but this was Alber: porter, waiter, barkeep and broken-English raconteur. Mostly, expectations built up by online research are deflated. But this was one of those times when far more was delivered than promised. My room was metres from the water's edge, which meant that the first thing I saw in the morning – and the last at night – was the lake in all its moods and splendour. For kilometres, the water's edge near the hotel in both directions is walkable, and ablaze with colour in the form of cultivated flowers, archways and stone bridges. A walk to the north took me past one of those idyllic Italian harbours dotted with coloured fishing boats. To the south, the town of Brenzone, with its ferry and bus connections to the rest of the lake's towns. My days were spent climbing on and off ferries exploring places such as Limone, a village hardly shy about exploiting its lemony heritage with every lemon coloured, lemon-flavoured and lemon-scented piece of produce you can think of, from soap to limoncello liqueur, for sale in street stalls. And then there's historic Sirmione, which to this day transports you back to ancient times. At the very south of the lake, where it is widest, Sirmione sits on a peninsula that pokes out like a stylus into the lake. The place was rhapsodised by, among others, the poet Catullus (84BC-54BC) who praised the beauty of the city he sometimes called home: "What full, extended glee, Sirmione, seeing you again more beautiful than all the islands and peninsulas that Neptune raises on the different waters of transparent lakes or the immense sea." As the ferries chugged across the water from town to town, the photographic opportunities were priceless: crescent harbours, brightly coloured foreshores, soaring steeples, flotillas of boats. Each lake town seemed prettier than the last, the collective intake of breath as the ferry approached a universal expression of joy among the many nationalities represented on the open decks. And then it was time to explore the towns a piedi (on foot), to meet the locals, to taste the produce, bargain for trinkets and try to capture the beauty at close range. In the evenings I would return to the hotel toting a camera with full memory card and drained batteries, wondering what culinary magic Marcello had willed his team into creating. Yes, there were other restaurants within walking distance, but none was as fine and absolutely none had a jetty in the lake. Occasionally from my room I saw that jetty appear to rock lightly as a riverboat passed. But out there, not even insects disturb the sense of peace. Ian Cuthbertson travelled to Italy at his own expense.

The floral lake path near the Belfiore Park Hotel

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In the lakeside village of Limone

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